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罪恶清除工
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<p>  背景设定在伦敦,一家能源公司在西欧最高的摩天大楼碎片大厦举行年会,一群激进的活动家前来砸场子,劫持了300名人质以揭露东道主的腐败。而他们的正义事业被队伍中一个狂热极端分子搅乱,后者准备谋杀大楼里的所有人,向世界传递他的无政府主义信息。<br/>  转机最终落在乔伊·洛克身上,她是一名前士兵,现在当窗户清洁工,将悬挂在大楼外90层拯救被困在里面的人并制服凶手,同..
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麦克维
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A psychological thriller depicting one of the deadliest acts of domestic terrorism, in U.S. history.
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制高点
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When a mysterious prisoner lands in his jail, a border town sheriff faces the wrath of a brutal cart...
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来自谁的启示
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一位牧师深信神谕正呼唤他去惩罚失踪案的罪人,而一位女刑警在调查此案时,始终摆脱不了已故妹妹的阴影。
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《拉莉萨》剧情介绍

影视大全提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin Rasputin  Stefaniya Stanyuta  主演,拉莉萨在豆瓣的评分为0.0,本片由小编于2025-03-18 06:34更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 http://jkmcf.com/movie/index62829.html

《拉莉萨》简介:<p>  A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&#39;s films, and her own voice is heard talking about her life and art.<br/>  Elem Klimov&#39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&#39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&#39;s premature death while filming her adaptation of Valentin Rasputin&#39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&#39;s work (Maya Bulgakova&#39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&#39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&#39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&#39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&#39;s Come and See, though by placing the scene first within Larisa&#39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&#39;s knife has cut.</p>

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